One could be forgiven for overlooking Philadelphia’s Digable Planets when reminiscing over the hip-hop groups that defined the 1990s. The era was, after all, dominated by heavyweights like A Tribe Called Quest, Fugees and Wu-Tang Clan. But even within the rich tapestry of the genre’s breakout decade, this trio of Philadelphia MCs has proven to have a lasting impact.
The group burned hot and bright for a few years in the early-to-mid ‘90s, the period in which it released both of its beloved studio albums—Reachin’ (A New Refutation of Time and Space) and Blowout Comb—before swiftly disbanding due to creative differences. In the years since, the group has staged smatterings of reunion tour dates, rarely exceeding 10 or 15 shows per year. This particular performance marked the group’s first visit to Florida in 15 years, part of a run of dates that included an appearance at Tampa’s Gasparilla festival and a stint opening for Black Pumas earlier in the year.
Comprised of three vocalists—Ishmael “Butter Fly” Butler, Craig “Doodlebug” Irving and Mariana “Ladybug Mecca” Vieira—the group is known for its unique fusion of jazz, funk and hip-hop, along with its crossover hit single “Rebirth of Slick (Cool Like Dat),” which ascended into the top 20 of the Billboard Hot 100 chart, back when that still meant something.
Though the show was billed as a 30th anniversary celebration of Reachin’, that record was not performed in full, and the 90-minute set was composed of tracks from both of the group’s LPs, showcasing the artful blend of laid-back flows and socially conscious lyrics that earned the artists their dedicated fanbase and critical acclaim so many years ago.
It was clear from the outset that the group was thrilled to be performing these songs together, engaging deeply with the crowd and seeming to luxuriate in the response to the three-decade-old cuts that made up the set. The performance was elevated by a talented live backing band that included a saxophonist, drummer, guitarist and bassist, each member clad in matching jumpsuits. The musicians were given the opportunity to showcase their individual skills throughout the set, with the bassist in particular stealing the spotlight with a standout solo.
Having attended a fair amount of large-scale rap and hip-hop shows over the past few years, this Digable Planets set certainly scratched an itch. In contrast to modern hip-hop shows that often prioritize manufactured hype, Digable Planets offered a refreshing take on the genre with their throwback stylings, emphasizing groove over bombast and quickly forging a genuine connection with the audience that went beyond anything an artist could achieve with a larger arena show. Even those widescreen hip-hop stars who do tour with full bands are rarely willing to share the spotlight with other musicians the way the group’s three stars did on this night.
Though not sold out, the show boasted a strong crowd for a Sunday night gig that wasn’t heavily promoted, and one that was surprisingly varied in terms of age. This show was not, in fact, just for the old heads, and it was clear from the enthusiastic response that the attendees were grateful for the opportunity to experience these classic songs live, likely for the first time. Digable Planets’ performance was a testament to the enduring appeal of old-school kick-back hip-hop, showcasing that the genre is not just alive and well, but remains relevant to an audience that transcends generations.
SET LIST
Dial 7 (Axioms of Creamy Spies)
It’s Good to Be Here
The May 4th Movement Starring Doodlebug
Where I’m From
Graffiti
Pacifics
What Cool Breezes Do
Escapism (Gettin’ Free)
Nickel Bags
Jettin’
Time & Space (A New Refutation of)
Rebirth of Slick (Cool Like Dat)
ENCORE
9th Wonder (Blackitolism)
For more of Boca magazine’s arts and entertainment coverage, click here.
